Author: Amy Ross
Format: ARC, 329 pages
Publication: October 3rd 2017 by Harlequin Teen
Source: Author (thank you Amy Ross!)
Genre: Fiction—Contemporary, Gothic, Mystery, Science Fiction
Other classifications: Retelling, Young Adult
Lulu and Jek are science nerds, and have been best friends since they were young . . . or at least they used to be. Lately Jek has been pulling away from Lulu, just as she’s coming to terms with how she really feels about him. Just as she’s ready to see if there could be something more between them.
But Lulu’s thoughts are derailed by a mysterious new guy who’s showing up at local parties. Hyde is the definition of a bad boy, and everybody knows it . . . but no one can seem to resist his charms. Girls can’t stay away from him, and guys all want to be him. And even though Lulu’s heart belongs to Jek, she can’t deny Hyde’s attraction either.
She also knows that there’s something not quite right about Hyde. That the rumors of his backwood parties make them sound a little more dangerous than what any of her friends are accustomed to. And she doesn’t like the fact that Hyde seems to be cozying up to Jek, and that they seem to be intertwined in ways that have Lulu worrying for Jek’s safety.
If Hyde has a dark secret, Lulu is determined to find out what it is, and to help Jek . . . before it’s too late for both of them.
I received a review copy from the author which in no way swayed my opinion about the work.
Jek/Hyde is more a rehashing and less a retelling.
The book—Ross’ debut in young adult literature—centers on Lupita “Lulu” Gutierrez and Jayesh Emerson “Jek” Kapoor, two science nerds who have been best friends for as long as long as they can remember. But just as Lulu is coming to terms with her more-than-platonic feelings for her best friend, Jek starts distancing himself and spending all his time holed up in his room/lab with his experiments. It doesn’t help that there’s a mysterious—and unmistakably alluring—new guy in town, who is the very definition of a bad boy, and who may or may not have connections with Jek. Confession time: I have not read the Stevenson classic. Nor have I seen any of the bajillion movie adaptations. But I feel like The Strange Case of Dr. Jekyll and Mr. Hyde has been so embedded into our collective cultural consciousness that it’s almost as if I have read the book without actually having read it. And Jek/Hyde totally validates my judgment; whatever hope I had of mystery, I went to the wrong party.
“”But sweetheart. . .” He leans in close and takes a deep, slow breath, his eyes slipping half-closed. “No one is good all the time.””
To be fair, the novel kept me relatively entertained ’til the very last page. It took a couple of chapters for the story to find its footing, but find it it did and it maintained a good pacing all through out the book. I also like how the tone and setting effectively conjure a sense of helplessness and perpetual confinement. The book is set in a small town in the Midwestern, and that was executed well. But then we get to the actual narrative and it gets less than stellar. There is little character development, cases of present-but-not-present adults, and underdeveloped subplots, all culminating in a heavily expository conclusion and one that is out of touch with the rest of the main character’s journey.
“I know how it is. You think if you worry enough, if you take care of him and rescue him, that will make him yours. But you’ll never keep a boy like that.”
There’s also a huge disconnect between what the reader is being told versus what he is being shown. Lulu has a tendency to pine for Jek, which is fine, that’s her thing. But not once was I convinced of the friendship—or any sort of connection—between her and Jek she often talks about. He was a jerk to her and when the story reaches the part where certain things happen, it felt forced. And I’m not buying her science nerdiness either. Meanwhile, Jek’s arc had an interesting start. He is biracial; his mother is Indian, his father is black. And there’s a scene where he goes about being the only black person in town, even in his own house. About having “this whole part of [himself] that’s completely cut off from anyone like [him],” and I think that’s a fascinating conversation the author could’ve explored. Just as much as the minor plot line of LondonChem, an agrichemical/pharmaceutical company who may be causing its workers’ unidentified illness. Instead, they became background noises.
“I don’t know whether I’m angrier at the assumption that these two can read everyone’s race and ethnicity perfectly just from looking, or at their surprise that a black person could kick their ass at a science competition, but I can’t point out either one, since they didn’t actually say any of that.”
I’ve read in a conversation the author had with Cat Hellisen that the point is to keep the story as close to the original as possible, and I get that. Ross accomplished what she set out to do. But even so, I can’t help feeling cheated on because of how the book is marketed (“an inventive modern retelling”) which couldn’t have been more misleading. Sure, the story is set in modern-day suburban America and it has a racially diverse cast—albeit, the latter struck me as contrived in places. But that’s as modern as it gets. The other half of the equation, forgotten.
“This crazy town. Some guy nearly gets killed right in front of us, and all anyone can think about is where they can go to get fucked-up next.”
Jek/Hyde had potentials. It really did. But with plot holes and character-development inconsistencies that feel quite unresolved even towards the end, it leaves a lot to be desired.
Amy Ross has an MFA from the University of Idaho and a bachelor’s from Brown University. She has lived in upstate New York, Providence, Paris, Chicago, Copenhagen, Kyoto, Idaho and Taiwan, and is currently in Indiana. She likes bad horror flicks, dense critical-theory texts, fomenting revolution, wild bears, cooking and the sublime. She hates everything else.
What is your favorite adaptation or retelling of The Strange Case of Dr. Jekyll and Mr. Hyde?