Title: Vanishing Girls
Author: Lauren Oliver
Format: Paperback, 357 pages
Publication: March 10th 2015 by HarperCollins
Source: Bought from National Book Store
Genre: Fiction—Contemporary, Crime, Psychological Thriller, Realistic, Suspense
Other classifications: Brotherhood/Sisterhood, Depression and Mental Illness, Young Adult
This is it: somehow, in these pictures, the mystery of the accident is contained, and the explanation for Dara’s subsequent behavior, for the silences and disappearances.
Don’t ask me how I know. I just do. If you don’t understand that, I guess you’ve never had a sister.
The twist Vanishing Girls is less a crime novel, more a character study. And trust me when I say that that is for the better. The twist Do you have a sibling? Have you ever felt the compulsion to never ever disappoint your parents because, no matter what you do, no matter how you act, no matter how much you love your sibling, you’ll always, always be compared to the other? It doesn’t matter what your position is, you’ll have this tacit rule of being the one to understand. Sometimes this builds a camaraderie, the kind that brings you to watch each other’s back, to want to protect each other’s secrets. But in most cases, this also creates a quiet, inner tension, the kind that cultivates unspoken jealousy and raises self-imposed responsibilities and expectations. This is at the heart of the Panic author’s latest novel.
“They say that you’re supposed to tell the truth. Dr. Lichme says that, anyway.
But don’t they also say that what you don’t know can’t hurt you?”
The twist Vanishing Girls is my first Lauren Oliver title and, admittedly, while it was rewarding, it didn’t make me want to devour her backlist. It took some time for the narrative to gain its footing and, even then, the thread seems to ebb and flow. Her style boarders from lyrical to maybe overly descriptive and I can see how this might come across as dragging for some. But it is one of those books where if you give up early on, you’d totally miss the gem. One of those where the more you ponder about it, the more you sit on it, the more the ingenuity of it washes over you. She commands her words, I soon found out. They are vivid, cutting and have a way of reaching deep inside you, tapping into thoughts you unconsciously carry around.
“You broke my heart. I fell for you, and you broke my heart. Period, done, end of story.“
The twist The story is narrated alternately by Warren sisters Nick and Dara and there are diary entries, online articles, e-mails and photographs—most of which are often eery—interspersed through out. It pre-opens with a life observation that impeccably captures the tone of the book. Then it opens officially right at the conflict, the night of the accident. Chapter 2 jumps four months later and we see a recovering Nick, the elder of the two, and the sister who refuses to talk to her, Dara. What instantly stuck out to me is how distinct and at the same time cognate Nick’s and Dara’s voices are, a manifestation of the author’s adept sense of what it’s like to have a sister and be a sister. People casually throw around the term “complex characters” but, with Nick and Dara, you’ll have a flash of instant clarity: this is what they mean with complex characters. It’s chilling and heartrending and impressive and there were instances I had to look over my shoulders.
“Sometimes people stop loving you. And that’s the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.”
The twist However, I think the way this book is pitched is misleading. Sure, the “vanishing girls” plot line meshes well with the family drama, but they sell this as the former when in fact it’s the other way around. The whole Madeline Snow arc felt quite removed; it’s really about the relationship between Nick and Dara. And Parker. If you’ve ever had best friends or still do, real close friendship, you’ll know that the author gets it. And Vanishing Girls wins the chicest cover award. Fantastic job, Anastasia Volkova and Erin Fitzsimmons!
“”It’ll be just like old times,” Parker says, and I feel a hard ache in my chest, a desperate desire for something lost long ago.
Everyone knows you can’t go back.”
The twist. Yes, no scratching now. Oliver must’ve rewrote and proofread her work a bajillion times because there is just no plot holes. She pulled off the reveal like it’s nobody’s business. I mean, I basically revisited a handful of chapters after she dropped the bomb. (And in case you’re wondering, I reread 70% of the book since finishing.) I don’t think I’ve read anything like this before but a close similar experience would be Gillian Flynn’s Gone Girl, in that both have a major WTF moment. And hell was it WTF. But this is where it becomes tricky. Because there’s no way talking around THE TWIST; I would give away too much. So just go out there, read this novel, come back to me and I can go all WHAT DID I TELL YOU? on you.
Lauren Oliver is the author of the teen novels Before I Fall and Panic and the Delirium trilogy: Delirium, Pandemonium, and Requiem, which have been translated into more than thirty languages and are New York Times and international bestselling novels. She is also the author of two novels for middle grade readers, The Spindlers and Liesl & Po, which was an E. B. White Read Aloud Award nominee. Lauren’s novel Panic has been optioned for film by Universal Studios. A graduate of the University of Chicago and NYU’s MFA program, Lauren Oliver is also the cofounder of the boutique literary development company Paper Lantern Lit.
Now tell me: are you excited to pick this title up? Or if you’ve read it already, have you predicted the twist? Where should I go from here in the Lauren Oliver landscape? Do you like literary crime novels? What are some of your favorites? Also, do you buddy-read with your friends/co-bloggers? Tell me all about it!